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Philip Pullman's His Dark Materials stands as a landmark in fantasy literature. Comprised of the novels The Golden Compass, The Subtle Knife, and The Amber Spyglass, the award-winning epic trilogy has been adapted for radio, stage, and film in both Britain and the United States, though it remains controversial for its negative depiction of religion. Herein, scholars from various literary, philosophical, and theatrical fields explore His Dark Materials, addressing numerous topics relevant to reading, studying and understanding the work, including its basis in Milton's Paradise Lost; the influence of science fiction on the series; issues of social class, religion, sexuality, and gender; postcolonial perspectives; and recent stage productions.
- Sales Rank: #3639404 in Books
- Published on: 2011-09-29
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .70" w x 5.90" l, .80 pounds
- Binding: Paperback
- 288 pages
About the Author
Steven Barfield is joint editor of Critical Engagements, the journal of the UK Network for Modern Fiction Studies, and a member of the editorial board for the on-line journal, Literary London: Interdisciplinary Studies in the Representation of London. Katharine Cox is a Principal Lecturer in English at UWIC (University of Wales) where she is head of the Department of Humanities.
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Contents Page of Critical Perspectives on Philip Pullmans His Dark Materials: Essays on the Novels, the Film and the Stage Produ
By S. Barfield
From the co-editors of the volume:
The aim of the collection is to provide a series of critical essays that cover some of the most important topics and contexts relevant to studying and understanding His Dark Materials in the form of the novels and as a dramatic adaptation. In contrast to existing books on His Dark Materials, this collection consist of original critical essays which offer a wider range of more sophisticated responses to the trilogy of novels that respond to existing literary criticism on Philip Pullman and which are firmly based upon research and in the main from established literary critics, rather than specialists in children's literature. Overall, the collection aims to engage with a greater range of issues and contexts and with more critical acuity than currently exists in the field of studies of His Dark Materials and to aid high school, undergraduate and graduate students who wish to engage in a sophisticated fashion with Pullman's important trilogy of novels.
Table of Contents
Introduction 1
Katharine Cox
I Adversaries and Influences
1. Recasting John Milton's Paradise Lost: Intertextuality, Storytelling and Music 11
Rachel Falconer
2." `When I grow up I want to be ...' ": Conceptualization of the Hero Within the Works of, C.S. Lewis, J.R.R. Tolkien and Philip Pullman.
Phil Cardew 28
3. Constructions of the Child, Authority and Authorship: The Reception of C.S. Lewis and Philip Pullman. 40
Elisabeth Eldridge
4. "Dark Materials to Create More Worlds": Considering His Dark Materials as Science Fiction. 57
Steven Barfield
II Traditions and Legacies
5.Revitalizing the Old Machine of a Neo-Victorian London: Reading the Cultural Transformations of Steampunk and Victoriana 75
Steven Barfield and Martyn Colebrook
6.Revisiting the Colonial: Victorian Orphans and Postcolonial Perspectives 93
Laura Peters
7. Exploring and Challenging the Lapsarian World of Young Adult Literature: `Femininity', Shame, the Gyptians and Social Class 111
Nicola Allen
8."Imagine Dust with A Capital Letter": Interpreting the Social and Cultural Contexts for Philip Pullman's Transformation of Dust 126
Katharine Cox
III Religion, Sexuality and Gender
9. The Man Who Walked With God: Phillip Pullman's Metatron, The Biblical Enoch, and the Apocrypha. 143
John Haydn Baker
10. The Republic of Heaven: East, West and Eclecticism in Pullman's Religious Vision 154
J'annine Jobling
11. "Walking into mortal sin": Lyra, the Fall, and Sexuality 172
Tommy Halsdorf
12. Becoming Human: Desire and the Gendered Subject 187
Sarah Gamble
13. After the Fall: Queer Heterotopias 202
Sally R. Munt
IV Dramatizing His Dark Materials
14. Staging the Impossible: Severance and Separation in the National Theatre's Adaptation 219
Patrick Duggan
15. Staging and Performing His Dark Materials: From the National Theatre Production to Subsequent Productions 239
Karian Schuitema
Bibliography 267
About the Contributors 273
Index 275
0 of 0 people found the following review helpful.
Excellent for students, teachers and Pullman fans
By LoveReading
This is a hugely interesting read. I came across this book as a Pullman enthusiast primarily, but there are a range of essays within it to suit a variety of audiences. The chapters in the first section are especially good for anyone interested in young adult literature, such as teachers or librarians. I'm an English teacher and the book has been passed around my colleagues with great interest. Anyone who managed to see the amazing stage versions of the play at the National Theatre in London will enjoy the last section of the book. I'd recommend this book for anyone who has read and loved 'His Dark Materials', anyone who is interested in children's literature and anyone with an interest in literature and theatre. Of course, for die-hard fans this book is one that must be added to the collection.
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