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In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought -- provoking essay on film editing. Starting with what might be the most basic editing question -- Why do cuts work? -- Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
- Sales Rank: #8921 in Books
- Color: Brown
- Model: 1084775
- Published on: 2001-08-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 6.25" w x .50" l, .51 pounds
- Binding: Paperback
- 146 pages
About the Author
Walter Murch is the winner of multiple Academy Awards for his work as a film editor and a sound designer. Among his many notable credits are The Conversation, American Graffiti, Julia, Apocalypse Now, The Godfather (parts II and III), The Unbearable Lightness of Being, Ghost, Crumb, Romeo Is Bleeding, First Knight, The English Patient, and The Talented Mr. Ripley.
Most helpful customer reviews
0 of 0 people found the following review helpful.
What a total waste of money
By T.V.M.
What a total waste of money. I can't believe the hyperbolic reviews of this book - they must be from all of this friends in the industry. You get no insight into the art or craft of editing, and if I knew that the title "In the Blink of an Eye" was going to be literal - he devotes a large part of the book to discussing how humans blinking is like editing - I would have definitely passed this one up. Half of the book is an afterwards about "digital filmmaking" that tells you nothing other than "digital filmmaking is cheaper, and easier!" This book needs to be put out to pasture.
0 of 0 people found the following review helpful.
Murch On The Blink
By Mark C. Upshaw
Excellent and original when first published and maybe when republished, but there is only one point. Learning how to apply it is everything and this can only be done over time and practice.
You can either buy the book or watch Walter Murch speak about it in a video online and save the money.
5 of 6 people found the following review helpful.
Baffled!
By Terrence Aybar
I'm still trying to figure out why some of the people here have given this book negative reviews. Of course, I respect people's opinions and the fact they might not necessarily jibe with my own all the time but I have to say that for anyone to say that they thought the book was a waste of time is just dumbfounding to me.
This book is a transcript of a lecture given by Walter Murch, award winning editor of several classic films, most notably The Conversation, The English Patient and Apocalypse Now. The first thing that hit me about the book was how well written it was. It's an easy read but Murch is eloquent and engaging enough to make this an extremely enjoyable read through.
Anyone looking for a book describing to you exactly how to edit a film is going to be disappointed with this because that's not what this book is about. Murch assumes that you already know how to edit, at least in the technical sense. It's about the ideas and philosophies that go into it and how to prepare for it beforehand. Anybody can learn how to edit a film but to do it in a fresh and exciting way that make the story of the film you are editing flow naturally and logically is what Murch is attempting to speak of. His theory about the blink of an eye (which I will leave you to read about, if you are at all interested) is something I never thought of and actually served to make me reconsider my views on editing.
Murch is an old school editor but he takes the time to praise the move from analog to digital editing in the book's second half, an inevitable change that has been a long time coming. It's nice to see someone from the old school embracing the new technologies and give a candid write up about the systems pros and cons.
I found this book to be very well put together and I really enjoyed reading all he had to say. It's further proof that we need to heed the words of the masters before they are no longer with us as I can barely imagine any of the young, fresh out of film school editors having anything this meaningful and important to say about the editing process.
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